IVN-Task 1: Exercises (Vormator)
IVN- Task 1: Exercise (Vormator)
27/09/2024
24.09.2024-11.10.2024 / Week 1 - Week 3
LONG BOJIANG / 0375362
Illustration and Visual Narrative COM61 304 / Bachelor of Creative Media Design (Hons)
Task 1: Exercise (Vormator)
INSTRUCTIONS :
Lectures :Week1 : INV 01Summary of my lecture hereThe film features 100 film angles, shots, and actions, grouped by Angle type, shot type, and action category. The film has many highlights and a variety of shooting angles and techniques, including God's view, bird's eye view, detailed, sculpted scenes and backgrounds, close action sequences and perfectly connected single shots, leaving a deep impression. These methods of expression not only expand the creative possibilities, but also improve the quality of the overall production, allowing the audience to immerse in an unprecedented experience.
INSTRUCTIONS :
Lectures :
Week1 : INV 01
Summary of my lecture here
Week2 : INV 02Summary of my lecture hereThe artist uses light and dark to make the image more dramatic and show the forms of the figures and objects. The text mentions Italian painters Leonardo da Vinci and Caravaggio, who used colour and light to make scenes more important.
Week2 : INV 02
Summary of my lecture here
The artist uses light and dark to make the image more dramatic and show the forms of the figures and objects. The text mentions Italian painters Leonardo da Vinci and Caravaggio, who used colour and light to make scenes more important.
Basic photographer move
helpTo achieve this, zoom in on a particular point and adjust the viewer's perspective so that their entire field of view is focused on that point, such as Leonardo dicaprio in Django Unchained.fryerThe effect is to see the translation Toronto from the point of view of the object being photographed so that the viewer takes the view of the object.maiMoving the lens up constitutes a shooting shake, but it has a different meaning and gives a smaller feeling.
DollyThis method of shooting is called point extension to understand the environment around the subjecttruckThe use of truck footage can be particularly effective in conveying the dynamics of a scene, immersing the viewer in the environment, or gradually revealing key elements.seatThe base shot can change the spatial relationship between the subject and its surroundings, thus injecting vitality into the scene. By gradually adjusting the vertical position of the focus, producers can emphasize changes in the shot and reveal previously unnoticed details.Storyboard shot typesIt helps set the mood and may hint at what's coming next, revealing the current environmentTarget settingThe lens helps to establish the space between the character and the environment, enabling the viewer to capture the physical movements and interactions of the character, thus understanding the relationship that focuses on the inner emotions or mental states of the character.Panoramic viewIt strikes a balance between intimacy and background, allowing viewers to clearly see the characters' upper body and facial expressions and better capture the characters' emotions.
Medium shot
introThese details let the audience deeply feel the emotional course of the characters, and the director and cinematographer use key shots to strengthen the emotional climax of the audience, and enhance the emotional participation and empathy of the audience.Very close rangeGetting up close can produce extraordinary results, bringing great tension, emotion and meaning to the photo.upshotAn upward perspective will elevate the character's iconic status and emphasize the importance of their purpose or action.shootThis photographic Angle can portray the character as a pawn in a larger conspiracy, penetrated by inner forces or trapped in uncontrollable situations.Over the shoulder shotBecause it effortlessly captures the interaction between two characters in the same frame.Two shotsThis position implies that both characters have equal importance and function in the development of the narrative.Point-of-view shootingSuch shots are particularly effective for conveying the psychological state of the characters and their unique experience of the environment.
Basic photographer move
help
To achieve this, zoom in on a particular point and adjust the viewer's perspective so that their entire field of view is focused on that point, such as Leonardo dicaprio in Django Unchained.
fryer
The effect is to see the translation Toronto from the point of view of the object being photographed so that the viewer takes the view of the object.
mai
Moving the lens up constitutes a shooting shake, but it has a different meaning and gives a smaller feeling.
Dolly
This method of shooting is called point extension to understand the environment around the subject
truck
The use of truck footage can be particularly effective in conveying the dynamics of a scene, immersing the viewer in the environment, or gradually revealing key elements.
seat
The base shot can change the spatial relationship between the subject and its surroundings, thus injecting vitality into the scene. By gradually adjusting the vertical position of the focus, producers can emphasize changes in the shot and reveal previously unnoticed details.
Storyboard shot types
It helps set the mood and may hint at what's coming next, revealing the current environment
Target setting
The lens helps to establish the space between the character and the environment, enabling the viewer to capture the physical movements and interactions of the character, thus understanding the relationship that focuses on the inner emotions or mental states of the character.
Panoramic view
It strikes a balance between intimacy and background, allowing viewers to clearly see the characters' upper body and facial expressions and better capture the characters' emotions.
Medium shot
intro
These details let the audience deeply feel the emotional course of the characters, and the director and cinematographer use key shots to strengthen the emotional climax of the audience, and enhance the emotional participation and empathy of the audience.
Very close range
Getting up close can produce extraordinary results, bringing great tension, emotion and meaning to the photo.
upshot
An upward perspective will elevate the character's iconic status and emphasize the importance of their purpose or action.
shoot
This photographic Angle can portray the character as a pawn in a larger conspiracy, penetrated by inner forces or trapped in uncontrollable situations.
Over the shoulder shot
Because it effortlessly captures the interaction between two characters in the same frame.
Two shots
This position implies that both characters have equal importance and function in the development of the narrative.
Point-of-view shooting
Such shots are particularly effective for conveying the psychological state of the characters and their unique experience of the environment.
Tell Better Tales with Composition Summary of my lecture here
The art of visual storytelling relies on cleverly arranged elements to convey subtle imagery. Four key structural techniques - layering, precision, framing, and contrast - help enhance the narrative.
Composition is crucial to visual narrative.
It highlights the main character and has the same visual impact.
The use of contrast highlights the differences between the characters, evoking a unique sense of oppression and power imbalance. This contrast of exposure changes the perception from "nothing more" to "invincible."。
Exercises : Task 1—Vormator Challenge - character creationWeek 1 Pen Tool Practice
Tell Better Tales with Composition
Summary of my lecture here
The art of visual storytelling relies on cleverly arranged elements to convey subtle imagery. Four key structural techniques - layering, precision, framing, and contrast - help enhance the narrative.
The use of contrast highlights the differences between the characters, evoking a unique sense of oppression and power imbalance. This contrast of exposure changes the perception from "nothing more" to "invincible."。
Exercises : Task 1—Vormator Challenge - character creation
Week 1 Pen Tool Practice
1. Practice in straight lines
2. In the second lesson, the learning of pen curve, the relationship between curve and straight line, the in-depth study of curve and shadow techniques, and the connection method of graphics are the necessary conditions for mastering this method.
1. Practice in straight lines
2. In the second lesson, the learning of pen curve, the relationship between curve and straight line, the in-depth study of curve and shadow techniques, and the connection method of graphics are the necessary conditions for mastering this method.
3. I learned to use the pen tool in AI applications, including accurately approximating straight lines and curves. In addition, I practiced using the pen tool in class through Bezier games, which helped me improve my skills in accurately approximating lines and curves in AI applications.
Week 2 VormatorVideo Links：https://www.youtube.com/watch?v=RbbQl2sU-ag&authuser=0
1. Get shapes from the Pen Tool, then use them to rearrange and combine into new shapes. This is the task: Character creation
2. I wanted a little monster like a snake, so I rearranged it.
Week 2 Vormator
Video Links：https://www.youtube.com/watch?v=RbbQl2sU-ag&authuser=0
Week 3
Add shadows to make monsters more three-dimensional
Inspiration:
The creature is an anatomical extension of the snake, with appendages near the head reminiscent of Medusa's snake hair. Its six arms are inspired by the Chinese mythological character Nezha, while the texture of its teeth is inspired by masks from the famous Japanese anime Tokyo.
Response:
Week 1: Using the Pen Tool through Bessel Games in class helped me improve my skills in sparse and precise lines and curves in AI applications
Week 2: Use the knowledge learned in Week 1 to edit the monsters in the Week 2 assignment
Week 3: Add lights to the recipe for a more three-dimensional look
Feedback:
Week 2: The teacher said that my idea is not bad, the shape is not bad, but the details are not good, some graphic links are not good
Week 3: The teacher pointed out that the color of the work was a little monotonous, and some shadow effects were not accurate enough. I will make corresponding adjustments and improvements according to these suggestions.
Week 3
Response:
Week 1: Using the Pen Tool through Bessel Games in class helped me improve my skills in sparse and precise lines and curves in AI applications
Week 2: Use the knowledge learned in Week 1 to edit the monsters in the Week 2 assignment
Week 3: Add lights to the recipe for a more three-dimensional look
Feedback:
Week 2: The teacher said that my idea is not bad, the shape is not bad, but the details are not good, some graphic links are not good
Week 3: The teacher pointed out that the color of the work was a little monotonous, and some shadow effects were not accurate enough. I will make corresponding adjustments and improvements according to these suggestions.
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